The Flip Side of Consciousness: Mamma Andersson Behind the Curtain
From the Series of Essays Ritual Practices by Elaine Smollin In Mamma Andersson paintings, what is apparent is always the flip side of consciousness. The present may as well be the past, while the past with its heavy hand, can deftly reveal a sudden lightness of being. From where comes this painter’s dialectics? An Andersson [...]