The whole gallery feels like the metaphor of a home of someone who truly loves art and wishes to share his experience with the rest of the world. We’ve often dreamed of such a place, and wished to see it, but very seldom if ever, really find the opportunity to see it.

Loretta Howard Gallery in New York City, in homage to the Pulitzer awarded poet John Ashbery, has transported Ashberry’s world and his private art collection at his Victorian-era house by the Hudson in upstate New York into the gallery space, reflecting the ambience in which Ashbery has surrounded himself with art, and cultivated his own inspiration in poetry.

Fairfield Porter John Ashbery, 1957 oil on canvas 38 x 32 inches Photo by Gistavo Taborda

Fairfield Porter
John Ashbery, 1957
oil on canvas
38 x 32 inches
Photo by Gistavo Taborda

Often considered to be the most important living poet of the English language, Ashbery is no stranger to art and the art world. He has worked as executive editor of Art News, and as art critic for New York magazine, and Newsweek, and owns a large collection of rarely seen art works by artists such as Willem and Elaine de Kooning, Fairfield Porter, Larry Rivers, Mark Tobey, Joan Mitchell, Giorgio de Chirico, Joseph Cornell, Alex Katz, Norman Blum, Utagawa Kunisada… He also makes collages that have been exhibited by the Tibor de Nagy gallery in New York.

The exhibition is by itself an unusual installation showing the world of a much acclaimed poet, his poetry, his painting, his collection of art and personal objects, offering a warm invitation to a unique and unforgettable experience, richly blending literature with art.

Ashbery's shelf of personal objects and typewriter.

Ashbery’s shelf of personal objects and typewriter.

This Room

By John Ashbery

This room I entered was a dream of this room.
Surely all those feet on the sofa were mine.
The oval portrait
of a dog was me at an early age.
Something shimmers, something is hushed up.

We had macaroni for lunch every day
except Sunday, when a small quail was introduced
to be served to us. Why do I tell you these things?
You are not even here.

(Your Name Here, 2000)

Jane Freilicher (left) Mixed Flowers, 2011 oil on linen 18 x 24 inches Edwin Dickinson (center) Cove House, 1941 oil con canvas 10 1/2 x 21 inches Joan Mitchell (right) Untitled, 1960 oil on canvas 39 3/8 x 39 3/8 inches Photo by Gustavo Taborda

Jane Freilicher (left)
Mixed Flowers, 2011
oil on linen
18 x 24 inches
Edwin Dickinson (center)
Cove House, 1941
oil con canvas
10 1/2 x 21 inches
Joan Mitchell (right)
Untitled, 1960
oil on canvas
39 3/8 x 39 3/8 inches
Photo by Gustavo Taborda

Joe Brainard Madonna, 1966 Mixed media collage 22 x 19 inches Photo by Gustavo Taborda

Joe Brainard
Madonna, 1966
Mixed media collage
22 x 19 inches
Photo by Gustavo Taborda 

Fairfield Porter (left wall) John Ashbery, 1957 oil on canvas 38 x 32 inches Alex Kaz (middle wall) oil on aluminum, 1985 34 x 16 inches Larry Rivers (right wall) Popeye, 1999 Pastel and pencil on paper 33 x 24 inches Photo by Gustavo Taborda

Fairfield Porter (left wall)
John Ashbery, 1957
oil on canvas
38 x 32 inches
Alex Kaz (middle wall)
oil on aluminum, 1985
34 x 16 inches
Larry Rivers (right wall)
Popeye, 1999
Pastel and pencil on paper
33 x 24 inches
Photo by Gustavo Taborda

 

*Cover image:

Rendition of “Music Room” with works by:
Elaine de Kooning (left)
Untitled (Abstraction), c. 1957-60
Watercolor on paper
17 1/2 x 23 1/2 inches

Jean Helion (center)
EquiLibre (Blue and Yellow), 1933
Watercolor and pencil on paper
8 3/8 x 11 inches

Jean Helion (right)
Untitled (Red and Blue) 1933
gouache, watercolor, and pencil on paper
8 1/2 x 6 3/8 inches